anna, or oedipa: a chronicle

Chapter 1: Real Housewives

There once was a family.  Like any family, they could be adequately described with a set of broad adjectives that applied both to the family as a unit and to its individual members.  The matron, Anna, was “unhappy” sometimes but frequently “happy.”  Her husband and her children shared these traits in similar proportion.  The particular morning that begins our story was a mostly unhappy one.  For this morning, Anna had gotten a call from her occasionally hilarious doctor.

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the comeback

For licensing reasons, the original music was being removed from her life—replaced by ambient noise and, where appropriate, original contributions from unsigned artists.  She’d contested the changes, but her producers informed her that her past had, at most, a marginal audience (die-hards and stay-at-homes), and the network couldn’t justify the expense of reclaiming all the original material.  She should just be happy her past survived the jump to digital at all.

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getting out

Get it out of me,” she said, as though she were speaking of something definite, something removable.

“The only person who can get it out of you is YOU!”

Cue title card: GETTIN’ IT OUT WITH DEBRA MESSING, WEEKDAYS AT 6 ON KGRN.

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paris, texas

He wouldn’t say he was addicted to cocaine, although it was certainly a contributing factor to the loss of his job, his wife, and his kid.  Cocaine was a hobby, good as any other, and he made a point to list it under the “interests” section of his resume, between “Bela Bartok” and “movies.”  It wasn’t long, then, before he landed a cushy gig at the toll booth in an “alternative highway” program inspired by Pynchon’s Tristero.  They’d gotten funding from the Dennis Hopper Center for Educational Wastelands to construct a two-mile road connecting “space” to “infinity” in Death Valley.

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burn notice

As an outsider, MaryAnne was stunned.  She knew they’d been hanging out without her, but she hadn’t guessed how far things had gone.  They’d all moved in together.  Adopted a puppy.  His name was Elijah.  Well, they could just play with that puppy all day in their beautiful apartment for all MaryAnne cared.  She’d make new friends.  She’d move in with them.  And they’d adopt a puppy.  It’s not like you need to be some sort of superfriend group to adopt a puppy.  But, I mean, these new superfriends would be better friends than the old superfriends anyway.  She’d find a group of the most compatible people ever.  And she’d rub it in those old friends’ faces.

And Elijah’s face, too.  Poor, sweet Elijah, doomed to live among lesser superfriends.  The more she thought about it, the more it bummed her out to think of Elijah just running around that spacious apartment, licking the faces of her ex-friends.  He deserves the best—not the absolute worst, which is what that sounded like to her.  MaryAnne decided to take action: before making new friends, she’d have to break into that beautiful brownstone and get Elijah to a world that deserved him.

Step one in MaryAnne’s plan was to get a floor plan of the apartment, so as to figure out where the weak spots were in that shockingly low-rent-for-the-location duplex.  She’d been too caught up in a jealous rage to get the architectural odds-and-ends down the first time she was there, a few hours ago.  But now she was thinking much more clearly.  She realized it was going to come off a little desperate to simply invite herself back over for dinner again, especially since she had every intention of telling them exactly what she thought of them the next time she saw them.  And she couldn’t wait that long anyway.  Armed with a fresh Moleskine notebook she’d gotten a year ago and never used but had taken great pains for the past few hours to convert manually into graph paper (and boy were her hands tired), she marched back to that bordello of betrayal where her ex-friends held poor Elijah hostage.

She had to buzz quite a few times.  She looked at her watch: 5:12am.  Eventually Kevin came on, sounding groggy (he was probably passed out from all the fun new drugs they probably did now, MaryAnne speculated).  “Um, hello?”

“Hey, it’s me!  MaryAnne!”

“Um.  MaryAnne?”

“Yeah, I think I lost my contact lens there!  Can you buzz me up?”

“Um.  Sure.”

Buzz.

MaryAnne walked into the apartment, Kevin was in his underwear, clearly struggling to keep his eyes open.  “Um.  What’s with the notebook?”

“Oh, you can just go to sleep!  This might take a while.”

“OK?”  Elijah had woken up and was licking Kevin’s legs.

Oh Elijah, MaryAnne thought, I’ll get you out of this.  Kevin went to bed, Elijah in tow, and it didn’t take long before MaryAnne discovered the apartment’s weak spot: the balcony.  It was only two floors up: easy to scale.  Or even easier to climb over from the neighbor’s roof.  Which she could get onto from the vegan bakery next door.  And if she couldn’t break into a vegan bakery, then she probably didn’t deserve Elijah anyway.

So night two, and it turned out she didn’t even need to break into the vegan bakery.  They were totally cool about letting her climb onto their roof once she explained that she was trying to rescue a puppy from a domestic situation in which it might not have room to fully actualize as its own autonomous individual apart from the oppressive “community” of group housing.  I mean, MaryAnne wanted to emphasize, though, that it wasn’t that all “community” was bad for a  puppy’s self-actualization—that she, in fact, would like them all to move in with her and raise the puppy together if they would be down for that, actually—but that it was just that this specific “community” was definitely toxic when it came to retaining a particularly empowering or useful sense of self with room for self-growth.  Her vegan baker friends agreed to what she was proposing, and as soon as MaryAnne came back with Elijah, they immediately sketched out a “space” where they could all “live” “together.”  They would each retain their individual physical spaces, but they would each share “mental” custody of Elijah at all times.  MaryAnne waved them goodbye, promising to take good care of Elijah “physically.”

As she walked home that night, Elijah asleep in her arms, MaryAnne felt a warmth she hadn’t felt since the night before, like just before she’d realized that all of her friends had moved in together without her and adopted an adorable puppy named Elijah.  She’d always felt so warm before.  Or maybe that was just nostalgia talking—the grass is greener on the other side, and not on fire.  Maybe she’d been just as miserable and suicidal then as she was just before she got Elijah all to herself.  I mean, those bakery folk had been great.  They’d convinced her to put down the pills and just accept how things change and that they were her friends now and wasn’t that enough?  She was really starting to feel all warmed up again.  Heat from the oven of sustainable pastry-making.

She was feeling so warm, in fact, that it took her a while to realize the accompanying vibrations weren’t just the good vibrations of non-possessive friendship: her phone was buzzing.  Kevin, text-bombing: “Hey, have you seen Elijah?” “Sharon thought you had him for some reason, she said she saw you at the apartment earlier tonight?” “She says you left with him?” “Can you bring him back?”

Of course Kevin would text-bomb.  It was just like them.  Needy.  Selfish.  Not even caring whether or not MaryAnne had an unlimited text plan (she didn’t).  Their possessiveness of Elijah shone through these texts like the fire that was burning in her heart, which had caught her shirt on fire.  She batted it out, and poor Elijah in her arms.  Her heart destroyed everything she loved.  She could hear the bakers’ mental outrage channeling through Elijah, as the puppy howled for her to stop the abuse.  Howled to the tune of “Angel” by Sarah McLaughlin—which made MaryAnne doubt the authenticity of these vegan bakers, who generally didn’t lack for edgier and more current and more authentic-sounding and visceral music.  MaryAnne felt like the worst judge of character.  Friendship shouldn’t be like a fire inside, consuming every innocent puppy in the way.  Friendship should be like MaryAnne, who put that fire out before the puppy got hurt.

The fire inside told her she was right.  She texted Kevin: “I don’t know what you’re talking about.”  Deleted his number.  And went home to change her charred garments and give Elijah some water.

a walk in the park

She still has that “mother” power that all mothers have, y’know?  “She” loves you is what she’s always saying, but when it comes down to it, it seems like she doesn’t even miss a beat when some dude calls up all, “Hey, girl, wanna dump the kids off at the pool and go to this Metallica concert with me?”  Nevermind that the pool has been closed for seven years because of funding issues and where the pool once was there is now a Best Buy. 

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personal best

Much as Michael Jackson once commandeered the term HIStory for his greatest hits, Michelle commandeered the term HERstory for her personal greatest hits.  She felt like her “hits” were more modest than Michael Jackson’s, but personally more relevant.  I mean, “Billie Jean” is relevant to everyone in a way—she’d lost her virginity to it, for instance, in the back of Eric Dryer’s Nissan Altima.  Maybe it was a Honda Accord.  There was an ultimatum and an accord, but this didn’t exactly get it into Michelle’s greatest hits.  Not even if it were one of those Greatest Hits box sets.  There wasn’t a story there, and it wasn’t very much fun.  She barely remembered it.

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bats aren’t bugs

There are always a few bugs lying on the fringe of the universe that everyone takes for granted even though, as everyone knows, when you take things for granted you take a Grant out of Ed, and Grant and Ed had been fighting for weeks at this point.  Ed called Grant an enormous bug one day at lunch, and Grant got all offended because Grant’s very sensitive about his personal appearance (probably because he is, in fact, an enormous bug).  Anyway, Ed was far from happy about this.  He’d apologized a bunch.  But sometimes bugs just enter and leave your life, and what can you do?  He decided to go to the bug ranch and get a new bug.

At the bug ranch, he met a guy named Liam.  Liam had a much-deserved reputation for being picky about his bugs, as Liam generously informed Ed.  Ed told him about Grant—about how the last bug he’d picked out, brought home, fed, taught to believe himself human—about how Ed had slipped one day, and Grant was gone.  Liam listened with closed ears.  “Bitches leave!  You gotta get yo’self a real reliable breed of bug.  I’ve been going with bats these days.”

“Bats aren’t bugs,” Ed noted, confused.

“Doesn’t matter.”  Liam shoved some cockroaches in his pocket.

“Wait, so if bats are so reliable, how’d you end up back here?”

“Well, the one thing that’s tough with bats is that they’re incredibly hard to keep alive.  You have to do all these things like feed them and not murder them.”

Ed grimaced.

“Kidding!” Liam laughed.  “Sometimes things just die.  Anyway, the best bats are these ones here.”

He showed Ed a group of albino bats, helped him pick out a good one—a little squinty-eyed one name Elsinore McFlapperson.  And before long Ed and Elsinore were besties.

One fine evening, though, Ed came home from the club to find Elsinore dead on the floor, with a note: “Sometimes things just die!  As ever, Liam.”  Liam had been right—both that bats make reliable bugs and that bats die.

nine times nine is eighty-one

Mabel Valentine and her father left the movie with more questions than answers.  It was unclear to Mabel, however, whether these were questions it was particularly prudent to pursue in a conversation with her dad.  They’d always had an understanding that nothing was too taboo when it came to choosing a movie, but the conversations afterwards suggested that there was a winning logic to doing a little bit of parent/child-friendly research ahead of time.  No doubt, Anne Hathaway had been good—the kind of performance you call “daring,” although it’s not especially clear what that means to a non-actor.  But it was impossible to even discuss the daring performance without going into the heart of the movie.

The movie’s title—To the Nines—first played off as a cheeky reference to the public persona Hathaway had developed earlier in the year as Catwoman, the nine-life’d vixen, in the latest Batman.  In To the Nines, she plays a young woman with two cats, one of which has just died.  The movie’s narrative is told backwards, in flashbacks—perhaps another cheeky reference to Hathaway’s Catwoman, via a nod to the puzzle-style-narrative technique director Christopher Nolan made his name with in Memento and (arguably) perfected with Inception.  Hathaway was always quoted in interviews as saying, “I owe everything to Nolan.”  In any event, To the Nines opened with Hathaway dressed as Catwoman, year 2009, coming home from a Halloween party crying, only to find one of her cats lying on its side—dead.    “Oh god, Otis!” she screamed, taking the cat up in her arms, her grief so elaborate that you wonder if she was aiming to win an Oscar for this single scene, Judi Dench-style.  At this, Mabel’s father had leaned in and given her a raised eyebrow.  Mabel was annoyed: she wasn’t ready to pass judgment yet, although this was admittedly a bit much.  On screen, Ms. Hathaway’s face fell flat.  She paused and yelled, at no one in particular, “HEATHER!”

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dean and gulliver build their dream house out of wood

Gulliver and Dean were finally building their dream house.  Not that either of them had the strongest conception of what they wanted their dream house to be.  But both had reached an age, unmarried, where it seemed both sad to live alone and unnecessary not to live in style.  So they’d decided to just go ahead and do it: cementing their friendship, their social status, and their perpetual singledom.  Both made good money, doing the kinds of jobs that made people good money without really saying much of anything about their personality or inner life.  And neither had been in a serious relationship in years.

Dean had been married once.  Had a kid.  But his wife had left a few years back—left him for a successful comic actor.  And the kid had gone off to Exeter and rarely visited.  So that was that.

Gulliver, though, was a stranger case.  He’d had girlfriends in high school, and everyone swore he wasn’t gay, but he’d never really shown any interest in girls in his adult life.  Or boys, really.  He and Dean had had a fling after Dean’s wife left, but it was unsatisfying for both men.  They were better as friends, as asexuals.

When it came to what was actually to go into the house, they were both open to suggestion.  Dean wanted a dogtrot (also known, less charmingly, as a possum-trot), meaning that the house would have a porch-like gap in its middle, separating the first floor into two halves.  Gulliver, the weirder, wanted an elaborate maze in the basement.  He explained that, in the event that armed robbers intruded, he wanted an area where he could lure them, outsmart them, and trap them.  Dean, not anticipating armed robbers, acquiesced to this eccentricity, on the condition that Gulliver keep it on the DL.  “Obviously,” Gulliver replied.  “Otherwise, what would be the point?”

So up the house went, with the dogtrot, and the maze.  They also added some neat finishing touches, like a mini-internet cafe, and a David Foster Wallace worship area.  Soon enough they were just two rich bachelors, living large and in charge.

Dean was the first to really start to take advantage of the house.  It turned out that all that was really keeping him from love was a lot of bitterness, and once his wife married that comic actor, he suddenly started to feel free to date again.  Nothing serious at first: hookers, and girls from the office.  But soon enough he found himself in yet another relationship, with his daughter’s old au pair.  She’d stopped by the house one afternoon to see the daughter—“Your wife indicated that she was staying with you this summer”—but that old ball-and-chain was mistaken.

“I haven’t seen Ellie in years,” Dean said.  “I miss her, of course.  But kids: they grow up.”

He invited the au pair in for a cup of tea, and soon enough they were hooking up in the maze, and soon enough they were married and acting like teenagers who got married too soon.  She wanted to have kids, but he objected: “My sperm’s too old!  They’ll be at an increased risk for Marfan syndrome.  It’s no good.”

And one day, while they were eating a delicious breakfast of waffles and bacon, Ellie walked in.  She looked quite the sight.

“Where on Earth have you been, young lady?” Dean asked.  “You know your mother’s been worried sick about you these past few months.”  Ellie eyed the au pair with a questioning glance, which Dean spotted.  “Don’t make this about me, ok?  Yes, we’re in love.”

Ellie coughed a little.  “If you have to know, I’ve been locked in the sex maze since May.  Your roommate, Gran… Glov…”

“Gulliver.”

“Gulliver.  He locked up the inner part so that I was just walking around and around in circles for months, listening to you fuck my babysitter.”

The au pair looked up from her waffles, “Oh, Ellie!”  Her eyes glistened with the years apart.  “That must’ve been so awful!  I swear, I’m going to have a talk with that Gulliver.”

“No, no, that won’t be necessary.  I just hope I’m not too behind on my classes.  It must be September, at least.”

“October,” Dean said.  “It’s October 22.  I’m afraid graduating in time is out of the question unless you really work yourself to the bone.  I’ll have a talk with your teachers, though.”

“Gee, thanks, dad.”  She rolled her eyes.

And that was that.  Dean felt indignant: he’d been so worried about how Gulliver had been taking the marriage.  Gulliver’d refused to talk about it.  He thought he’d been so mad!  But he’d had his daughter locked up all along.  The two had lunch in the internet café that day.  Dean was the mad one now: “We need to have a serious talk,” he said.

But he looked into Gulliver’s eyes and saw that he didn’t have to.  Gulliver was crying.  But they weren’t tears of sadness.  They were tears of joy.  Dean had finally reached him.